Around the time of the Danish theatrical release of "The World is Not Enough" in December 1999, local cable channel DK4 broadcast this special in which Michael Sandager talks to Ulrich Thomsen and director Michael Apted. The show also includes B-roll footage from the set of "The World is Not Enough" and footage form the Danish gala premiere at the Imperial theatre in Copenhagen.
Please note that only the Michael Apted interview has English audio (with Danish subtitles). The video has been sourced from a VHS recording.
On Monday October 5, 2020, Vic Armstrong turns 74. The legendary English stunt performer began his Bond career at the age of 20 when he was the first ninja to slide down a rope into Blofeld's volcano lair in "You Only Live Twice" (EON 1967).
Vic Armstrong since doubled for George Lazenby in "On Her Majesty's Secret Service" (EON 1969), Roger Moore in "Live and Let Die" (EON 1973) and Sean Connery in "Never Say Never Again" (Taliafilm 1983) before graduating to second unit director and stunt co-ordinator on three of Pierce Brosnan's Bond films: "Tomorrow Never Dies" (EON 1997), "The World is Not Enough" (EON 1999) and "Die Another Day" (EON 2002).
Bond•O•Rama.dk met up with Vic Armstrong again in Switzerland in June 2019 during the "OHMSS50" anniversary celebration at Piz Gloria/Schilthorn. We had a chat about Vic's second unit work on "On Her Majesty's Secret Service" back in 1969 and some of the other exotic Bond locations he has had the privilege of working on.
Of all the filming locations you've worked on for the Bond films, which one is your favourite?
They're all fantastic, but this [Piz Gloria and Schilthorn] is iconic. I was here for three-four months [for "OHMSS" in 1969]. It just went on and on with the second unit. We stayed through. The snow came, and it melted while we were still shooting. Fabulous.
I'd only been in the business about five years when I got the call to come here, and I was one of the second group of stuntmen to arrive. We came here basically to do the attack at the Schilthorn where the helicopters come in and we jump out with the flamethrowers, jump into the snow, then run up and attack Blofeld. So we did that. Then we did the car chase down in Lauterbrunnen, and then I stayed up with the second unit and we did all the rest of it. I remember the first night I arrived it was dark when I got here, and they sent us down to Stäger [the local sporting goods store] to get fitted for ski equipment. They said, "Would you mind learning to ski?". Fine, well, I am paid to do that, you know! So they kitted us out with all the ski gear and I walked back to the hotel. It was a moonlit night in the winter, and it was absolutely stunning. I was looking across at the Eiger ... Ah. It was bright as daylight. Just amazing. I've never forgotten that.
During this summer's unofficial OHMSS 50 celebration for "On Her Majesty's Secret Service" at Piz Gloria, James Bond•O•Rama.dk had the pleasure of meeting long-time EON associate John Glen.
The 87-year-old Englishman edited "On Her Majesty's Secret Service" and directed the second unit on location in Switzerland back in 1968-69. John Glen later performed the same duties on "The Spy Who Loved Me" (1977) and "Moonraker" (1979) before graduating to director on every EON-produced Bond film during the 80's: "For Your Eyes Only" (1981), "Octopussy" (1983), "A View to a Kill" (1985), "The Living Daylights" (1987) and "Licence to Kill" (1989).
In this exclusive chat with Bond•O•Rama.dk John Glen discusses some of his favourite Bond locations as well as the editing techniques of "OHMSS" and other tricks of the trade.
John Glen, what would you name as your favourite Bond location?
I think Piz Gloria [would be at number one]. The Bernese Oberland is probably one of the best locations we've ever had. It's such a vast scene, it's very James Bond in its aspects. [The Bond connection] is the history of this place, isn't it. I believe Piz Gloria and Schilthornbahn is the only Bond film location ever to write in their contract that they had unlimited means of promoting it as an official Bond location. And apparently EON Productions are not very happy about that.
It's indirectly free publicity, it's still 007, isn't it. And that's the important thing. It's an amazing franchise. Everyone says, how long can it go on for. I remember Lewis Gilbert saying to me that he thought it would probably come to an end after "Moonraker", "maybe that's the end of the series". It cost a lot of money, "Moonraker". Subsequently, of course, all of these new markest have opened up.
On Friday 07.07.2017, Tivoli Copenhagen Phil performs "The Hunt for 007 - an Evening with James Bond" at Tivoli Concert Hall in Copenhagen. James Bond•O•Rama.dk attended the first rehearsal and interviewed the conductor, Adrian Prabava.
The iconic date 07.07.2017 has inevitably given rise to several James Bond 007-themed events in Copenhagen. On this very Friday, Tivoli Concert Hall presents "The Hunt for 007 - an Evening with James Bond" as part of Tivoli's annual music festival SommerKlassisk.
Indonesian-born German conductor Adrian Prabava will be conducting the Tivoli Copenhagen Phil (formerly known as Tivolis Symfoniorkester) in a full programme of music from the James Bond 007 films. The programme was provided by European FilmPhilharmonic Institute.
At the initial rehearsal that James Bond•O•Rama.dk was invited to on Tuesday 4th July, The Tivoli Ensemble and vocalist Pernille Rosendahl were not yet in attendance. The Tivoli Ensemble will support the orchestra with drums and electric instruments at the concert; they might also fill in the iconic guitar riff (if Prabava so chooses) during the "James Bond Theme". Rosendahl, who is slated to sing four songs, has previous Bond experience from her band Swan Lee whose single "Tomorrow Never Dies" in 1997 was a contender for the title theme in the eponymous film.
During rehearsal, the conductor and the orchestra go through the entire programme for the first time. Prabava halts the music several times in order to fine-tune specific note lengths and polish any rough corners. Part of Michael Kamen's "Licence to Kill" score is repeated for string section only and then with strings and woodwinds until Prabava is satisfied with the result. It is like hearing the familiar 007 soundtracks being remixed and deconstructed live.
The percussionist gets a proper workout during Thomas Newman's busy action cues from "Skyfall". Afterwards, Adrian Prabava describes this suite as the "most challenging" part of the programme. The orchestral sound will be overdubbed with live synthesized effects and timed exactly to the sound effects in the accompanying scenes from the film which will be shown on a screen behind the musicians. Furthermore, modern composing for films is generally more complex than in the 60s, says Adrian Prabava.
"You can tell that film music has developed a lot the last ten years. Orchestral writing for cinema is getting more specialized, with greater possibilities of sampling and using the orchestra. There is kind of a new genre of composing for film, and this is also an aesthetic you can hear in "Skyfall"."
The disparity between Thomas Newman's hectic contemporary score and the luxurious, pop- and jazz-inflected John Barry sound from the sixties is particularly apparent when performed in direct sequence. Adrian Prabava senses that the melodic style of film composing might be coming back, though:
"Nowadays, if I listen to contemporary pop music, many pieces don't have this depth of composition we used to have in pop music in the 60s. I'm talking about harmony, about rhythm. Very often is it reduced to a simple rhythm and bass, with a lot of repetition, less melody. This is the music of our time. So this is reflected in the movie compositions as well. Many people go home without being able to sing along to what they heard in the cinema, it's very rare now. I think there is a turning back, with musical films like "La La Land", this longing for the ... emancipation of melody, going back to the fullness, a full-bodied composition."
On September 2, 2016, James Bond•O•Rama.dk had the pleasure of talking to Maryam d'Abo during the "James Bond in Oslo" event.
The British-French actress starred as Kara Milovy opposite Timothy Dalton's James Bond 007 in "The Living Daylights" (EON Productions 1987).
In 2002, Maryam d'Abo co-wrote, produced and hosted the TV documentary "Bond Girls are Forever" in which she interviewed a string of actresses from EON Productions' James Bond film series. The interviews were edited into a tie-in book also titled "Bond Girls are Forever". The book was co-written by John Cork and published by Boxtree in 2003. Maryam d'Abo has since revisited and re-edited the documentary twice, in 2006 and again in 2012.
The following is a transcript of our chat in Oslo. Our time was sadly limited to 15 minutes, as Maryam d'Abo had to rush to the airport.
James Bond•O•Rama.dk: Didn't you play the Queen of Denmark in a film – or rather, a queen of Denmark? Maryam d'Abo: Yes, I did.
I believe she was called Queen Rosalind? Maryam d'Abo: Can't remember the name, but I did play a Danish queen in "The Prince and Me 2: The Royal Wedding" (2006) with this American actress [Kam Heskin, ed.]. We shot outside of Prague. I went back to Prague after "Doctor Zhivago" (2002), the TV series, yeah.
So you didn't go anywhere near Denmark. Maryam d'Abo: No. But I've been to Copenhagen. I did something there ... Gosh. I went there a couple of years ago to do something. It might have been a commercial. I was flown in to Copenhagen and stayed in a really nice boutique hotel. Actually, this [Oslo] was reminding me a little of Copenhagen with the docks and all. But it's not as nice as Copenhagen. It was not a movie, more like a commercial or something like that, because I was only there very briefly for three days. But it was definitely a job.
Did you do a junket for "The Living Daylights" in Copenhagen? Maryam d'Abo: No. Never. I did Vienna, a big junket, and we premiered in Amsterdam.
In December 1999, the film programme "Bogart", broadcast on national Danish TV channel DR2, featured a lengthy segment on the newly released James Bond 007 film "The World is Not Enough" (Eon Productions 1999).
First, actor Ulrich Thomsen talks to journalist Søren Høy about his role as Davidov in the film. This part is in Danish.
Next, director Michael Apted and Pierce Brosnan (James Bond 007) discuss the film in junket interviews with Søren Høy. These interviews are in English with Danish subtitles.
The segment ends with a capsule review of "The World is not Enough" in Danish by the show's host, Ole Michelsen.
In 1967 Columbia Pictures launched their farcical big-budget adaptation of Ian Fleming's "Casino Royale" with the tagline "Too much for one James Bond".
In the film, the original Sir James Bond (David Niven) has retired, leaving the field open to a number of impersonators who are all issued with the code name 007 by the British Secret Service, MI-6. Among the most prominent young 007's is the athletic ladies' man Cooper, played by Northern Irish actor Terence Cooper (1933-1997).
Almost 30 years after "Casino Royale", correspondent Karen Glahn from Danish daily Morgenavisen Jyllands-Postens tracked down Terence Cooper in Australia. Although the text states Cooper's age as 67, he would have been 62 at the time of the interview. The article was published in Morgenavisen Jyllands-Posten on 21 May 1996, a year before the actor's death in September 1997. The following English translation is a James Bond•O•Rama.dk exclusive:
Terence Cooper – the forgotten Agent 007
By Karen Glahn
James Bond is 67 years old and performs his most dangerous missions on a lady's bicycle.
He is Terence Cooper, who was James Bond in the mostly forgotten 1967 film ”Casino Royale”.
”I'm the James Bond that fell into oblivion. I'm not famous as Sean Connery, George Lazenby, Roger Moore or Timothy Dalton, but I am proud to be among the men who have portrayed Agent 007 through the years”, Terence Cooper says.
He is now a respected nature and bird painter in Northern Australia, and reconciling the large tan middle-aged man who wears a sarong around his ample girth to the physically fit womanizing 007 with a licence to kill requires quite a leap of the imagination.