During this summer's unofficial OHMSS 50 celebration for "On Her Majesty's Secret Service" at Piz Gloria, James Bond•O•Rama.dk had the pleasure of meeting long-time EON associate John Glen.
The 87-year-old Englishman edited "On Her Majesty's Secret Service" and directed the second unit on location in Switzerland back in 1968-69. John Glen later performed the same duties on "The Spy Who Loved Me" (1977) and "Moonraker" (1979) before graduating to director on every EON-produced Bond film during the 80's: "For Your Eyes Only" (1981), "Octopussy" (1983), "A View to a Kill" (1985), "The Living Daylights" (1987) and "Licence to Kill" (1989).
In this exclusive chat with Bond•O•Rama.dk John Glen discusses some of his favourite Bond locations as well as the editing techniques of "OHMSS" and other tricks of the trade.
John Glen, what would you name as your favourite Bond location?
I think Piz Gloria [would be at number one]. The Bernese Oberland is probably one of the best locations we've ever had. It's such a vast scene, it's very James Bond in its aspects. [The Bond connection] is the history of this place, isn't it.
I believe Piz Gloria and Schilthornbahn is the only Bond film location ever to write in their contract that they had unlimited means of promoting it as an official Bond location. And apparently EON Productions are not very happy about that.
It's indirectly free publicity, it's still 007, isn't it. And that's the important thing. It's an amazing franchise. Everyone says, how long can it go on for. I remember Lewis Gilbert saying to me that he thought it would probably come to an end after "Moonraker", "maybe that's the end of the series". It cost a lot of money, "Moonraker". Subsequently, of course, all of these new markest have opened up.
In 1989 Warner Home Video issued all of the James Bond 007 films (except the Columbia-produced "Casino Royale" from 1967) on retail VHS through local distributor Metronome Video. The Bond films had not previously been available for sale in Denmark.
This initial retail series had specially designed cover art with raster graphics on a metallic grey background which was obviously meant to resemble Maurice Binder's famous gunbarrel design.
The fourth cassette in the series was "You Only Live Twice" (1967):
Scan courtesy of Jan Mouritzen.