Tag: interview

Roger Moore in Copenhagen: Danish TV interview (TV 2 1995)

Today, 14 October 1927, marks Sir Roger Moore's 89th birthday.

In 1995, Roger Moore agreed to an interview for the children's show "Snurre Snups Søndagsklub" [Bugs Bunny's Sunday Club] on Danish TV 2 to mark UNICEF's international "Tune In To Kids Day".

The show's host, Bubber (Niels Christian Meyer), met Special UNICEF representative Roger Moore at Hotel D'Angleterre in Copenhagen. The interview was eventually broadcast as a show in its own right, titled "Roger - a gentleman", on 31.12.1995 (with a re-run on 1.1.1996).

In the show, Roger Moore talks about his many visits to the Danish capital of Copenhagen and his childhood in 1930's London. He also shares his thoughts on child rearing and the challenges of being a gentleman in our time and age.

The show is in English with Danish subtitles. Apologies for the poor image quality (the footage was sourced from a second-generation VHS recording).

More rare videos at James Bond•O•Rama's Vimeo page

Exclusive interview: George Lazenby discusses his film career, part 1 (2016)

James Bond•O•Rama.dk got an exclusive one-on-one interview with George Lazenby, when the 76-year old former 007 star visited Oslo in Norway on Thursday 1 September 2016.

George Lazenby in a David Mason tux at The Thief, Oslo 01.09.2016 - photo © Brian Iskov
George Lazenby in a David Mason tux at The Thief, Oslo 01.09.2016 - photo © Brian Iskov

In most of his interviews and public appearances, George Lazenby happily reels off the same 10-15 anecdotes about his brief tenure as James Bond 007. The idea behind this conversation was to take a Random Roles-style approach and dig deeper into his filmography, which after all counts 60 credited film and TV roles and spans almost half a century from 1969 to today.

Bond•O•Rama (Brian Iskov): ”On Her Majesty's Secret Service” is my favorite James Bond film.
George Lazenby: Well, you have good taste.
Bond•O•Rama: But you have 60 other credits in your filmography that people rarely talk about.
George Lazenby: Oh yeah. They never talk about 'em.
Bond•O•Rama: So I thought that's what we're gonna do.
George Lazenby: Oh, if I remember them.

The short time frame – 13 minutes – allotted to our one-on-one with George Lazenby obviously curbed the level of detail in both questions and answers. As it is, Lazenby tends to go off on tangents (more often than not about his manliness and/or sexual prowess), which is why some of his comments only bear a tenuous relation to the question or the film referred to.

A few extra insights have been added from the Q&A that George Lazenby did prior to the screening of ”On Her Majesty's Secret Service” in the Vika cinema later that same evening.

Maryam d'Abo and George Lazenby at Vika Kino 01.09.16 - photo © Brian Iskov
Maryam d'Abo and George Lazenby at Vika Kino 01.09.16 - photo © Brian Iskov

P.S.: George Lazenby's memoirs have been in the offing for quite some time now, but there is still no publishing date as such. At his press conference in Oslo, Lazenby explained that he had hired an American ghost writer for the job, but that the writer had difficulty capturing Lazenby's particular brand of Australian humor.

On the other hand, a documentary on George Lazenby's life and career, ”This Never Happened to the Other Fella”, is currently in post-production. Directed by Andrew Lumley, the show will air as part of the Limelight Documentary Series on the US streaming platform Hulu.

Morten Steingrimsen, the head organizer of the ”James Bond in Oslo” event, has seen a rough cut of ”This Never Happened to the Other Fella”. He confirms that quite a few of George Lazenby's non-Bond films will be covered in the documentary.

Go here for part two of our exclusive George Lazenby interview!

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“Tomorrow Never Dies”: I biffen – 007 Special (TvDanmark 1997)

To mark the Danish theatrical release of "Tomorrow Never Dies" in December 1997, TvDanmark produced this 007 special as part of their regular "I biffen" show  ["At the movies"]. The special features interview segments with Danish actress Cecilie Thomsen (professor Inga Bergström) and actor Desmond Llewelyn ('Q').

The show also includes footage from the Copenhagen gala premiere of "Tomorrow Never Dies" at the Imperial cinema, as well as interview segments with Michelle Yeoh and Pierce Brosnan, both seemingly sourced from an EPK press kit.

Apologies for the inferior image and sound quality (the material was sourced from a second generation VHS copy).

Interview segments are in English (Llewelyn, Yeoh, Brosnan) and Danish (Thomsen).

More rare videos at James Bond•O•Rama's Vimeo page

Danish TV interview with Sean Connery (1994)

63-year-old Sean Connery reminisces about his tenure as James Bond 007 during an interview with Danish journalist Helle Retbøll Carl in 1994. The segment also includes footage from a press conference for "Rising Sun" (1993) with Sean Connery further discussing his view of the Bond films.

The clip is in English, with Danish subtitles.

Originally shown as part of the TV special "Sean Connery: Den skotske løve" [The Scottish lion] on Danish national television (DR1) in 1994.

“Love is All You Need”: Interview with Pierce Brosnan (2012)

Today, 16 May 2016, is Pierce Brendan Brosnan's 63rd birthday.

The fifth man to portray James Bond 007 in the EON Productions film franchise (from 1995 to 2004), the Irish actor has also appeared in a Danish feature film. He played the co-lead opposite Trine Dyrholm in Susanne Bier's romantic dramedy "Love is All You Need" from 2012. And by the way, the original Danish title, "Den skaldede frisør", translates as "The Bald-headed Hairdresser".

"Love is All You Need" premiered at the Venice Film Festival that same year. I seized the opportunity to interview Pierce Brosnan – twice, in fact. An intimate two-to-one conversation was followed by a larger session with an international group of journalists. And yes, I shook his hand, which in James Bond terms makes three for six (I've also met Daniel Craig and George Lazenby).

Sadly, the year after this interview was conducted, Pierce Brosnan and Cassandra Harris' daughter, Charlotte Brosnan, died from cancer at the age of 42.


INTERVIEW WITH PIERCE BROSNAN, "LOVE IS ALL YOU NEED"

From Bond to Bier

Brian Iskov for Dagbladenes Bureau, September 2012

Working with Susanne Bier and her Danish ensemble of actors became a happy release for Pierce Brosnan after the straightjacket that was James Bond 007. Playing a cancer widower in Bier's romantic comedy ”Love is All You Need”, the Irish movie star drew on his own life experience

VENICE, ITALY – ”Tak” [thanks]. "Tusind tak" [thanks a lot]. And "du er smuk" [you are beautiful].

During his tenure as Agent 007 James Bond, Pierce Brosnan killed [Danish actor, ed.] Ulrich Thomsen and took private lessons in "Scandinavian tongues" with Danish model Cecilie Thomsen. But when we meet Brosnan during the Venice Film Festival in 2012, the Irish-born gent freely admits to a Danish vocabulary limited to the three phrases mentioned above.

brosnan_venice 2012
Pierce Brosnan (right) meets the Danish press in Venice 2012. Photo © Brian Iskov

No wonder that the then 59-year-old actor felt apprehensive when he ventured to Copenhagen in 2011 to prepare for his first lead ever in a Danish motion picture: ”Love is All You Need” (Den skaldede frisør) directed by Academy Award winner Susanne Bier.

– I was worried about my participation in it, am I gonna rock the boat? I was very nervous that I would take people out of the movie. Also, the actors all had such close proximity to each other. They've grown up together and been friends, lovers, whatever, Pierce Brosnan says.

– Someone like Kim Bodnia has powerful force. You look across the table at the dude, and he's gonna come at you. But he's funny!

Brosnan needn't have worried. From day one, everyone on the Danish film crew welcomed their colleague from abroad with open arms.

– I came into a tribe where I was cared for, nurtured, and laughed at in the best possible way for trying to speak the language, Pierce Brosnan says in his soft-spoken brogue.

– Luckily, the character [a British businessman living in Denmark, ed.] lent himself to this. I believed that [my character] could run this fruit company and never really got the hang of this Danish, always asking my secretary, "what are they saying?". The conceit, I think, was well founded.

Pierce Brosnan, Paprika Steen, Trine Dyrholm og Molly Blixt Egelind i "Den skaldede frisør" | pr-foto: Duane Gregory
Pierce Brosnan, Paprika Steen, Trine Dyrholm and Molly Blixt Egelind in "Love is All You Need" | Film still by Duane Gregory

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“GoldenEye”: Pierce Brosnan interviewed on Danish TV (1996)

"Navnet er ... James Bond" (DR1 25.01.1996)

In this rarely seen TV special from 1996, journalist Elisabeth Wille meets a remarkably candid Pierce Brosnan at the Hotel d'Angleterre in Copenhagen during the actor's Danish press tour for "GoldenEye".

Pierce Brosnan is so unguarded in this lengthy chat that he even agrees to say the famous line on camera: "The name is Bond ... James Bond" (which is also the show's title in Danish).

The 14 ½ minute programme is in English with Danish subtitles. It was originally shown 25 January 1996 on DR1 (Danish national television). This version is a VHS rip.

● See more at James Bond•O•Rama's Vimeo page

“Bond in Motion”: Chris Corbould interview (2014)

FEATURE

This interview with special effects supervisor and EON Productions veteran Chris Corbould took place during the "Bond in Motion" press day at London Film Museum, 19 March 2014.

All rights © Brian Iskov for James Bond•O•Rama.

Chris Corbould, your first Bond gig was as a special effects assistant on ”The Spy Who Loved Me” back in 1976. How many Bond films have worked on since then?
I've done 13 in all [14 including the later ”Spectre” - ed.]. The one film I didn't work on was ”Octopussy” (1983).

So you're definitely an integral part of the Bond family.
Yes. They [the Broccolis] are a great family to work with. I've had many great years working with them. Hopefully many more.

Chris Corbould with the Jaguar XKR from 'Die Another Day' (Photo by Chris Jackson/Getty Images for London Film Museum)
Chris Corbould with the Jaguar XKR from 'Die Another Day' (Photo by Chris Jackson/Getty Images for London Film Museum)

Do you ever get to drive any of the cars in the films?
Absolutely. These [Jaguars and Aston Martins from ”Die Another Day” (2002)] are quite interesting, because my department had to modify both cars. We actually had four Jaguars and four Astons to be four wheel-drived, because there were no four wheel-drive models of these cars. The whole chase sequence, the battle sequence, happened on the ice, so we decided to convert them to four wheel-drive. Plus all the weapons. We had a lot of fun on this sequence on the ice, and because we were on ice, both cars had an inflating ... buoyancy system. So if they went through the ice, they would automatically inflate and keep both the driver and the car afloat.

And you're triggering all effects live from this radio-control console?
Yes. That controls the missiles coming out, the gun rotating, the gun firing ... You know, the driver has enough to do doing all the stunt driving, so we figured we wouldn't give him that responsibility. So we would always handle all the gadgetry that went on.

The SFX remote control gadget box for Vanquish and Jaguar (Die Another Day, 2002)
The SFX remote control gadget box for Vanquish and Jaguar (Die Another Day, 2002)

I'm guessing you didn't do the invisible car. That would have been another department.
No, no, no, we left that to somebody else. I'm not a great fan of that one, but there you go! I think we pushed the limits a bit too far on that one.

So which of the Bond cars did you like the most?
I enjoyed the Vanquish, I thought it was a nice car. Actually liked the one in ”The Living Daylights” (1987), which was a real meaty ... the Vantage?

The [Aston Martin] Volante? The black one with the outrigger skis?
Yeah, that was my favorite, because I was prepping that, doing all the preparation in Austria when we shot it, so we would take it out on the ice and drive it around the ice. It was a lot of fun.

Aston Martin V8 Volante from "The Living Daylights" (1987). Photo by London Film Museum
Aston Martin V8 Volante from "The Living Daylights" (1987). Photo by London Film Museum

Did you work on the Lotus Esprit when you did ”The Spy Who Loved Me”?
Sadly, I didn't. I was on that film mainly based back in England, and they shot most of that in the Bahamas.

Is it true that you couldn't get the Aston Martin DBS in ”Casino Royale” (2006) to roll over because the tyre grip was too good?
It wasn't that. The centre of balance was so good that the stunt guys tried several times to steer into it and turn it, and in the end, we had to put a small nitrogen cannon in it. So as they turned into it, we would hit the nitrogen cannon, and it would make that flip. Once it was flipping, it was fine. It was just getting it flipping that was the problem, initially. But we got it in the end. They're just class cars, aren't they? They're not designed to flip over. They put a lot of work into them to make sure they don't flip over. We had to help it a little bit.

Apparently, around the time of ”GoldenEye” (1995), the British Automobile Association complained that Bond shouldn't be driving a BMW.
Well, so what really? You have to change every now and again, and when the Aston came back, everybody loved it again. You can't just stick with the same car every time. We had the Lotuses for a little while, we had the BMW's, and we're back to Astons now. It just makes it more fun, I think, if you change it a little bit every now and again. It would get boring if you just kept using the same car.

Aston Martin DB5 from "GoldenEye" (1995). Photo by London Film Museum
Aston Martin DB5 from "GoldenEye" (1995). Photo by London Film Museum

What do you think makes the Aston Martin such an iconic car?
I think it's quintessentially a very British car, as Bond is. It's a classy car, elegant, and it just lends itself to fast driving. And also, the gadgets that we put in it. You don't expect to see the gadgets coming out of such a classy car. I think [the contrast] that all helps.

Part of your job seems to be giving the cars personality beyond what they already have from the factory.
Yeah, character. Absolutely. That's what we strive to do. We have to really dig deep in your brain these days to try and come up with something that hasn't been seen before. I mean, when you look at how many of the cars have got missiles on! We have to strive and come up with something different.

Thanks to Chris Corbould and London Film Museum.