During this summer's unofficial OHMSS 50 celebration for "On Her Majesty's Secret Service" at Piz Gloria, James Bond•O•Rama.dk had the pleasure of meeting long-time EON associate John Glen.
The 87-year-old Englishman edited "On Her Majesty's Secret Service" and directed the second unit on location in Switzerland back in 1968-69. John Glen later performed the same duties on "The Spy Who Loved Me" (1977) and "Moonraker" (1979) before graduating to director on every EON-produced Bond film during the 80's: "For Your Eyes Only" (1981), "Octopussy" (1983), "A View to a Kill" (1985), "The Living Daylights" (1987) and "Licence to Kill" (1989).
In this exclusive chat with Bond•O•Rama.dk John Glen discusses some of his favourite Bond locations as well as the editing techniques of "OHMSS" and other tricks of the trade.
John Glen, what would you name as your favourite Bond location?
I think Piz Gloria [would be at number one]. The Bernese Oberland is probably one of the best locations we've ever had. It's such a vast scene, it's very James Bond in its aspects. [The Bond connection] is the history of this place, isn't it. I believe Piz Gloria and Schilthornbahn is the only Bond film location ever to write in their contract that they had unlimited means of promoting it as an official Bond location. And apparently EON Productions are not very happy about that.
It's indirectly free publicity, it's still 007, isn't it. And that's the important thing. It's an amazing franchise. Everyone says, how long can it go on for. I remember Lewis Gilbert saying to me that he thought it would probably come to an end after "Moonraker", "maybe that's the end of the series". It cost a lot of money, "Moonraker". Subsequently, of course, all of these new markest have opened up.
On Friday 07.07.2017, Tivoli Copenhagen Phil performs "The Hunt for 007 - an Evening with James Bond" at Tivoli Concert Hall in Copenhagen. James Bond•O•Rama.dk attended the first rehearsal and interviewed the conductor, Adrian Prabava.
The iconic date 07.07.2017 has inevitably given rise to several James Bond 007-themed events in Copenhagen. On this very Friday, Tivoli Concert Hall presents "The Hunt for 007 - an Evening with James Bond" as part of Tivoli's annual music festival SommerKlassisk.
Indonesian-born German conductor Adrian Prabava will be conducting the Tivoli Copenhagen Phil (formerly known as Tivolis Symfoniorkester) in a full programme of music from the James Bond 007 films. The programme was provided by European FilmPhilharmonic Institute.
At the initial rehearsal that James Bond•O•Rama.dk was invited to on Tuesday 4th July, The Tivoli Ensemble and vocalist Pernille Rosendahl were not yet in attendance. The Tivoli Ensemble will support the orchestra with drums and electric instruments at the concert; they might also fill in the iconic guitar riff (if Prabava so chooses) during the "James Bond Theme". Rosendahl, who is slated to sing four songs, has previous Bond experience from her band Swan Lee whose single "Tomorrow Never Dies" in 1997 was a contender for the title theme in the eponymous film.
During rehearsal, the conductor and the orchestra go through the entire programme for the first time. Prabava halts the music several times in order to fine-tune specific note lengths and polish any rough corners. Part of Michael Kamen's "Licence to Kill" score is repeated for string section only and then with strings and woodwinds until Prabava is satisfied with the result. It is like hearing the familiar 007 soundtracks being remixed and deconstructed live.
The percussionist gets a proper workout during Thomas Newman's busy action cues from "Skyfall". Afterwards, Adrian Prabava describes this suite as the "most challenging" part of the programme. The orchestral sound will be overdubbed with live synthesized effects and timed exactly to the sound effects in the accompanying scenes from the film which will be shown on a screen behind the musicians. Furthermore, modern composing for films is generally more complex than in the 60s, says Adrian Prabava.
"You can tell that film music has developed a lot the last ten years. Orchestral writing for cinema is getting more specialized, with greater possibilities of sampling and using the orchestra. There is kind of a new genre of composing for film, and this is also an aesthetic you can hear in "Skyfall"."
The disparity between Thomas Newman's hectic contemporary score and the luxurious, pop- and jazz-inflected John Barry sound from the sixties is particularly apparent when performed in direct sequence. Adrian Prabava senses that the melodic style of film composing might be coming back, though:
"Nowadays, if I listen to contemporary pop music, many pieces don't have this depth of composition we used to have in pop music in the 60s. I'm talking about harmony, about rhythm. Very often is it reduced to a simple rhythm and bass, with a lot of repetition, less melody. This is the music of our time. So this is reflected in the movie compositions as well. Many people go home without being able to sing along to what they heard in the cinema, it's very rare now. I think there is a turning back, with musical films like "La La Land", this longing for the ... emancipation of melody, going back to the fullness, a full-bodied composition."
On September 2, 2016, James Bond•O•Rama.dk had the pleasure of talking to Maryam d'Abo during the "James Bond in Oslo" event.
The British-French actress starred as Kara Milovy opposite Timothy Dalton's James Bond 007 in "The Living Daylights" (EON Productions 1987).
In 2002, Maryam d'Abo co-wrote, produced and hosted the TV documentary "Bond Girls are Forever" in which she interviewed a string of actresses from EON Productions' James Bond film series. The interviews were edited into a tie-in book also titled "Bond Girls are Forever". The book was co-written by John Cork and published by Boxtree in 2003. Maryam d'Abo has since revisited and re-edited the documentary twice, in 2006 and again in 2012.
The following is a transcript of our chat in Oslo. Our time was sadly limited to 15 minutes, as Maryam d'Abo had to rush to the airport.
James Bond•O•Rama.dk: Didn't you play the Queen of Denmark in a film – or rather, a queen of Denmark? Maryam d'Abo: Yes, I did.
I believe she was called Queen Rosalind? Maryam d'Abo: Can't remember the name, but I did play a Danish queen in "The Prince and Me 2: The Royal Wedding" (2006) with this American actress [Kam Heskin, ed.]. We shot outside of Prague. I went back to Prague after "Doctor Zhivago" (2002), the TV series, yeah.
So you didn't go anywhere near Denmark. Maryam d'Abo: No. But I've been to Copenhagen. I did something there ... Gosh. I went there a couple of years ago to do something. It might have been a commercial. I was flown in to Copenhagen and stayed in a really nice boutique hotel. Actually, this [Oslo] was reminding me a little of Copenhagen with the docks and all. But it's not as nice as Copenhagen. It was not a movie, more like a commercial or something like that, because I was only there very briefly for three days. But it was definitely a job.
Did you do a junket for "The Living Daylights" in Copenhagen? Maryam d'Abo: No. Never. I did Vienna, a big junket, and we premiered in Amsterdam.
In December 1999, the film programme "Bogart", broadcast on national Danish TV channel DR2, featured a lengthy segment on the newly released James Bond 007 film "The World is Not Enough" (Eon Productions 1999).
First, actor Ulrich Thomsen talks to journalist Søren Høy about his role as Davidov in the film. This part is in Danish.
Next, director Michael Apted and Pierce Brosnan (James Bond 007) discuss the film in junket interviews with Søren Høy. These interviews are in English with Danish subtitles.
The segment ends with a capsule review of "The World is not Enough" in Danish by the show's host, Ole Michelsen.
In 1967 Columbia Pictures launched their farcical big-budget adaptation of Ian Fleming's "Casino Royale" with the tagline "Too much for one James Bond".
In the film, the original Sir James Bond (David Niven) has retired, leaving the field open to a number of impersonators who are all issued with the code name 007 by the British Secret Service, MI-6. Among the most prominent young 007's is the athletic ladies' man Cooper, played by Northern Irish actor Terence Cooper (1933-1997).
Almost 30 years after "Casino Royale", correspondent Karen Glahn from Danish daily Morgenavisen Jyllands-Postens tracked down Terence Cooper in Australia. Although the text states Cooper's age as 67, he would have been 62 at the time of the interview. The article was published in Morgenavisen Jyllands-Posten on 21 May 1996, a year before the actor's death in September 1997. The following English translation is a James Bond•O•Rama.dk exclusive:
Terence Cooper – the forgotten Agent 007
By Karen Glahn
James Bond is 67 years old and performs his most dangerous missions on a lady's bicycle.
He is Terence Cooper, who was James Bond in the mostly forgotten 1967 film ”Casino Royale”.
”I'm the James Bond that fell into oblivion. I'm not famous as Sean Connery, George Lazenby, Roger Moore or Timothy Dalton, but I am proud to be among the men who have portrayed Agent 007 through the years”, Terence Cooper says.
He is now a respected nature and bird painter in Northern Australia, and reconciling the large tan middle-aged man who wears a sarong around his ample girth to the physically fit womanizing 007 with a licence to kill requires quite a leap of the imagination.
Did you know that three years before starring as Solitaire in "Live and Let Die" (1973), Jane Seymour made her film debut playing a Jewish ballerina in a Danish WWII drama?
And that the film, "The Only Way" (1970), was edited by none other than Norman Wanstall, the Oscar winning sound editor of "Goldfinger"?
In the following exclusive, Norman Wanstall talks about his little-known contribution to Danish film history as an editor on ”The Only Way” (aka Oktoberdage).
”The Only Way” depicts the historical events of the night between 1 and 2 October 1943 when the Danish people saved several thousand Jews from a raid by the German occupying forces.
In her first speaking part, 19-year-old Jane Seymour plays Lillian Stein, the ballerina daughter of violin dealer Leo (Ebbe Rode) and Ruth Stein (Helle Virkner). When the Nazi security police decide to round up all the Jews in Denmark, the Steins are forced to flee. Luckily, their resourceful downstairs neighbour Mr Petersen (Ove Sprogøe) is a member of the Danish resistance and manages to get the Steins out of Copenhagen and to the coastal town of Gilleleje, where fishing boats carry the evacuated Jews across the Oresund strait to neutral Sweden.
Director Bent Christensen also co-wrote the original script for “The Only Way” with well-regarded Danish author Leif Panduro. Their previous collaboration ”Harry and the butler” (Harry og kammertjeneren, 1961) was nominated for an Academy Award in the category Best Foreign Language Film.
Apart from Jane Seymour and Martin Potter as Lillian's boyfriend, the entire cast of “The Only Way” consisted of Danish actors performing in English. As the story of the Danish resistance operation in 1943 was fairly well-known outside of Denmark, the film's producer, Mogens Skot-Hansen, decided that shooting in Danish would hinder the film's chances internationally. The film was co-produced by Danish company Laterna Film and the American-owned Hemisphere Productions, making the film an official Danish-Panamanian collaboration. Unfortunately, “The Only Way” was not much of a success neither in Denmark (where it was called “Oktoberdage”, ie. October Days) nor abroad.
Norman Wanstall, now aged 81, was sound editor on four of EON Productions' James Bond 007 films from 1962 to 1967. He has long since left the film industry but was happy to share his memories of editing “The Only Way” in this exclusive e-mail interview with James Bond•O•Rama.
Bonus trivia: Since “The Only Way”, two other Danish films have told the story of the resistance operation in 1943: ”A Day in October” (En dag i oktober, Kenneth Madsen, 1991) and ”Across the Waters” (Fuglene over sundet, Nicolo Donato, 2016).
On September 1, 2016, Bond•O•Rama.dk had the pleasure of sharing a table with legendary Bond girls Caroline Munro and Martine Beswick. This is the second half of our three-way conversation.
Caroline Munro (b. 1949) adorned the set of “James Bond 007 - Casino Royale” (1967) at the age of 16 as an uncredited "Guard Girl”. Ten years later, she made quite a sensation as Stromberg's scantily clad helicopter pilot Naomi in "The Spy Who Loved Me" (1977)
Martine Beswick (b. 1941) made her striking film debut as Zora, one of the fighting gypsy women in "From Russia with Love" (1963). The film's director, Terence Young, asked Beswick to return for "Thunderball" (1965), now in the role of Nassau agent and Bond ally Paula Caplan.
Bond•O•Rama met Caroline Munro, now 67 years old, and Martine Beswick, 75, at the design hotel The Thief in Oslo. Whereas the first part of the interview concerned the two cult actresses' roles in the James Bond 007 film series, this second part is devoted to their collaborations with Ray Harryhausen, Oliver Stone, Hervé Villechaize and notorious B-movie producers Menahem Golan & Yoram Globus among others.
BI: Brian Iskov/Bond•O•Rama.dk
CM: Caroline Munro
MB: Martine Beswick
BI: You both worked with Ray Harryhausen. And you, Caroline, are connected to the Ray & Diana Harryhausen Foundation as well?
CM: I was a trustee, and now I'm a ... they call me patron. Which sounds really well-put, but I quite like that.
MB: Yes, very grand. Because you are. Ha ha.
CM: I don't know about that. But I spread the word, and of course I was in "The Golden Voyage of Sinbad" (1973), and Martine was in "One Million Years B.C." (1966). BI: What was that like?
CM: Oh, amazing.
MB: We loved him. I just thought he was fabulous and brilliant. Absolutely brilliant.
CM: So special ... and genius, really, at what he did. Willis O'Brien had started it with his "King Kong" (1933), but Ray kind of took it to another level and just went with it. He named it Dynarama, didn't he? [Dynamation, ed.] It was just so special, the process, and all the big ones ...
MB: ... acknowledge him for making it work, starting them, actually. [Steven] Spielberg ...
CM: Yes. He was sort of their person they look to, and they said, yep, we want to do that.
MB: He was the inspiration to a lot of these guys. I feel very privileged to have worked with him. Don't you?
CM: Me too, absolutely. We're very close with Vanessa, his daughter. She's lovely.
MB: She was on the cruise with us last year. Hi hi.
CM: She was! Yes, she and her husband. They're both farmers. He's a sheep farmer, Ray's son-in-law, and Vanessa is a farmer's wife now. A very selective one, but a farmer's wife.