On 5 April 1963, United Artists released EON Productions' "Dr. No" theatrically in Denmark. The film's Danish title reads "Agent 007 mission: drab" [Agent 007 Mission: Kill].
The theatrical poster pictured below, measuring 83x62 cm, was produced for the first Danish cinema release of "Dr. No.". The poster was clearly inspired by the UK campaign, with the addition of a striking yellow-black-white color scheme. The uncredited artist who traced Mitchell Hooks' artwork of the four Bond girls from the UK poster might have been an employee at United Artists' distribution office in Denmark.
Ian Fleming 's name is Danicized to Jan Fleming on the poster, concordant with the first Danish editions of his James Bond 007 novels. The director's name, Terence Young, and EON Productions are both misspelled.
Several Danish film critics expressed their dislike of the James Bond 007 films during their original release in the early 1960's. The highly regarded Bjørn Rasmussen, M.A., who reviewed films for the Danish daily Aktuelt and hosted the film programme "Filmorientering" on national Danish television during the 60's, dismissed the Bond films as "sensationalist entertainment marked by poor taste" in his reference book "Filmens Hvem-Hvad-Hvor" (1967). He did however note that "From Russia with Love" (1963) was "the best in the series".
When EON Productions' "From Russia with Love" was released into Danish theatres in December 1963, Bjørn Rasmussen was markedly less kind in his scathing review for Aktuelt:
”Agent 007” returns
Christmas programming at Nørreport Cinema is brutal entertainment
With the pulp thriller ”From Russia with Love” (1963), Nørreport [Cinema] picks up from ”Dr. No”. This is a coarsely brutal, sensational serial based on Ian Fleming's vulgar novels, issued in Denmark by [Sven] Hazel's publishing house (of all!). The films, as well as the novels, are brimming with straightforward suspense, devoid of probability and based on the spectator not having time to detect the obvious gaffes.
This time, a so-called ”Lektor” is to be smuggled out and change hands from Russian to English ownership. We are not dealing with a lecturer [”lektor” in Danish, ed.] but a decoding machine. Fights, murders, sex, and speed is mobilized as well as all kinds of spies for all kinds of nations. They are secretly spying on each other nonstop. The most repulsive of them all would be Lotte Lenja [sic], the widow of Kurt Weill, evil incarnate and an efficient member of the international crime organization ”Spectre” who are also out to get the Lektor.
In the middle of all this nonsense, a glimmer of something truly cinematic shines through as is often the case with rudimentary pulp thrillers such as this. But [the film] is dreadfully simple and unpleasant to watch.
Written by Bjørn Rasmussen Translation by Bond•O•Rama.dk
On September 2, 2016, James Bond•O•Rama.dk had the pleasure of talking to Maryam d'Abo during the "James Bond in Oslo" event.
The British-French actress starred as Kara Milovy opposite Timothy Dalton's James Bond 007 in "The Living Daylights" (EON Productions 1987).
In 2002, Maryam d'Abo co-wrote, produced and hosted the TV documentary "Bond Girls are Forever" in which she interviewed a string of actresses from EON Productions' James Bond film series. The interviews were edited into a tie-in book also titled "Bond Girls are Forever". The book was co-written by John Cork and published by Boxtree in 2003. Maryam d'Abo has since revisited and re-edited the documentary twice, in 2006 and again in 2012.
The following is a transcript of our chat in Oslo. Our time was sadly limited to 15 minutes, as Maryam d'Abo had to rush to the airport.
James Bond•O•Rama.dk: Didn't you play the Queen of Denmark in a film – or rather, a queen of Denmark? Maryam d'Abo: Yes, I did.
I believe she was called Queen Rosalind? Maryam d'Abo: Can't remember the name, but I did play a Danish queen in "The Prince and Me 2: The Royal Wedding" (2006) with this American actress [Kam Heskin, ed.]. We shot outside of Prague. I went back to Prague after "Doctor Zhivago" (2002), the TV series, yeah.
So you didn't go anywhere near Denmark. Maryam d'Abo: No. But I've been to Copenhagen. I did something there ... Gosh. I went there a couple of years ago to do something. It might have been a commercial. I was flown in to Copenhagen and stayed in a really nice boutique hotel. Actually, this [Oslo] was reminding me a little of Copenhagen with the docks and all. But it's not as nice as Copenhagen. It was not a movie, more like a commercial or something like that, because I was only there very briefly for three days. But it was definitely a job.
Did you do a junket for "The Living Daylights" in Copenhagen? Maryam d'Abo: No. Never. I did Vienna, a big junket, and we premiered in Amsterdam.